Working Heritage Treasure Threatened with Closure
August 7th, 2008
A priceless remnant of Sydney’s heavy industrial history is threatened with closure, which could mean the loss of skills and iron work manufacture critical for the preservation of much of Sydney’s heritage landscape.
Wrought Artworks at the Australian Technology Park has been told by the Redfern Waterloo Authority to vacate its premises by the end of September, 2008. This is despite the fact that the small business is training apprentices, and according to the owners, is performing valuable work on State-owned equipment for which it receives no financial reward.
I put a question to the City of Sydney Council on June 30, 2008 which was well received by the Lord Mayor who voiced her concern about the threatened closure. However, many aspects of the answer which came back from City of Sydney staff who had sought information from the RWA have been challenged by Wrought Artworks.
Wendie McCaffley of Wrought Artworks has submitted a response to statements made by the RWA and ATP. Below is my question, the answer, and Wendie’s response.
The Question
Question without Notice – Council 30 June 2008
WROUGHT ART WORKS (S044440)
7. By Councillor Harris
My question concerns the Blacksmith’s Shop at the Australian Technology Park at Eveleigh – it goes by the name of Wrought Art Works. This small operation has been told by the Redfern-Waterloo Authority to vacate its premises by 30 September and a campaign has been organised to try to save it. The construction of the AustralianTechnology Park even included the building of an acoustic wall to accommodate this workshop. This operation is employing several young apprentices who are learning old skills which are in short supply today, as well as providing a link to the building’s industrial past and Sydney’s heritage. How could Council work with the Redfern-Waterloo Authority to allow Wrought Art Works to continue its very worthwhile operations at the ATP?
The Answer
Staff have sought information from the Redfern Waterloo Authority (RWA) on behalf of the ATP. Wrought Art Works is a commercial operation that has operated from the Blacksmith’s Shop for around 18 years. Wrought Art Works has not had a lease or licence with ATP on the premises, nor do they pay rent. Wrought Art Works believes it has a verbal agreement from State Rail for free use of the property in perpetuity. ATP believes the organisation should pay rent and their tenancy should be subject to a lease or licence. Wrought Artworks does not accept this. ATP reports that it has issued a six months eviction notice in order to bring the matter to a resolution. ATP has advised Wrought Art Works it is prepared to consider them remaining in the premises on condition that they sign a standard form lease, pay an appropriate market rent and conduct themselves in accordance with legal obligations the same as any other tenant of the ATP.
And Wrought Artworks response.
“It has come to our attention that a Question Without Notice was asked by Councillor Harris at the Council meeting 30 June in regards our occupation of the blacksmiths shop and that we wish to respond that the supplementary answer from the ATP/RWA was incorrect, we wish to state:
“WAWs believes it has a verbal agreement from State Rail for free use of the property in perpetuity.
Wrought Artworks does not have a verbal agreement with State Rail. The verbal agreement was with Dr. Tom Forgan-(The initial ATP- CEO) who said we could be here as long as we wished and that he was not interested in any money from these bays.
ATP believes the organization should pay rent and their tenancy should be subject to a lease or license. WAW does not accept this.
The ATP has never offered any lease or asked for any rental.
ATP has advised WAW it is prepared to concider them remaining …..
We have not been advised of anything.
…on condition they sign a standard lease…
A standard form lease is completely inappropriate for any tenure by a blacksmith in an office complex and I stated in prior discussions this year that I would be happy to formalize our tenure under the existing arrangement , but would not sign a standard lease. By signing a standard lease I would be signing away the right of the workshop to operate in perpetuity forever.
…and pay an appropriate market …
A market rental would be inappropriate as the land area and value in commercial terms is beyond our ability to pay. Unlike other tenants Wrought Artworks performs valuable work on the State owned equipment in its care and other duties for which it receives no financial reward. For instance today I gave tours to four groups of school children considering a career in Rail Engineering and entering into Rail Cadet ships. Nor was a commercial outcome of the operating blacksmithing bays ever sought by Government agencies. In fact we specifically kept our work light weight and unindustrial so as not to affect the amenity of other tenants.
Should we have pursued a commercial use for all the equipment in our care, Redfern Station platform would be shaking from the use of the double arch hammer[ As it used to do] and every tenant in the park would long ago have sued the ATP for damages.
…in accordance with the legal obligations the same as any other tenant of the ATP.
It would be unrealistic of the ATP to consider our legal obligations the same as any other tenant.The Guidelines for the site state from the Eveleigh Precinct Conservation Policy that Bays 1-4a of the locomotive building should be treated differently to the remainder of the building given that the machinery identified as a Heritage item by the REP is largely located in this area.”
******
While the answer from the Redfern Waterloo Authority and the response from Wrought Artworks presents two sides of an argument, the threat to the blacksmith’s business has attracted much attention and a burgeoning campaign from the local community, heritage experts and a former Eveleigh worker, Brian Dunnett, who is passionate about saving this piece of Sydney’s industrial and railway heritage.
Brian Dunnett has made a lengthy submission to the NSW Department of Planning regarding the whole Eveleigh workshops site. He sees a future for Eveleigh as a functioning heritage treasure which could become an important cultural tourism icon.
Below are Mr Dunnett’s submission and a publication on the Eveleigh Workshops by Brian Dunnett and Robert Haworth.
north-eveleigh-submission.doc
pp157-171_dunnett-haworth_everleigh.pdf

World Youth Day to me was a bunch of people invading my city, costing my city/state 10s of millions of dollars, blocking streets, celebrating at great cost to me and the city. I think Rachel Evans, convenor of No To Pope Coalition did a fantastic job of organising a major protest telling the 100s of 1000s of people invading my city, that we don’t agree with state branded religion, we don’t agree with City of Sydney & NSW Govt inviting a Pope that thinks of me as a “intrinsic moral evil”! Telling an entire population of a developing nation suffering under massive HIV/Aids infection its a sin to wear a condom to me is the most ridiculous idiotic nonsense ever thought of in modern times and “The Pope Is Wrong, Put a Condom On”, cried the crowd on Saturday!


